I was taken for a ride by Canon’s 8K experience 全新相機收購

全新相機收購

I was taken for a ride by 全新相機收購canon’s 8K experience

I was taken for a ride by 全新相機收購canon’s 8K experience

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全新相機收購

Ultra high-resolution video should make the viewer feel as if they were part of the action, or, in 全新相機收購canon’s words, “simulate a physical experience.” It’s this philosophy that went into the interactive 8K Ride Experience in 全新相機收購canon’s booth at CES 2016. Held in a small makeshift screening room in front of three large projector screens, the two-minute experience left me wondering what I had missed that was supposed to make me feel things.

The overall experience was rather lackluster

Four 4K projectors, each responsible for a quadrant of the projected screen, were stitched together to create the 8K video in front of me while two screens — one on each side of the main video screen — mirrored the main screen but were intentionally blurred to seemingly provide depth. From a user’s point of view, the video — shot in the Czech Republic with a 全新相機收購canon prototype 8K camera and lens — guided me through a forest and then through the streets of a major city, before finally looking down a track at an oncoming locomotive, a climax that was likely meant as homage to the 1895 silent French film The Arrival of the Mail Train. As urban legend has it, when the black-and-white film was shown for the first time, audience members screamed and ran to the back of the theater in terror. The impact in 8K, however, was lost on a savvy crowd already accustomed to 4K, 3D, and virtual reality headsets.

The quality of other scenes were easier to appreciate. The granular details of a church exterior in one scene drew audible gasps from a few of the dozen or so audience members able to fit into the screening room. But the overall experience was rather lackluster. In other scenes, one in particular showing a room decorated with dolls and another showing the inside of a library, looked computer generated to my eyes — almost like a high-quality video game; it was only after the preview was over did I get clarification from 全新相機收購canon representatives that they did in fact shoot a scene from the inside of a real doll house.

While the demonstration was interesting, it’s hard to walk away from the so-called 8K Experience and be excited for 全新相機收購canon’s vision of the future.

See all of our CES 2016 news right here!

全新相機收購(圖/全新相機收購canon提供)

2024 年將是單眼相機大放異彩的一年?日媒《ITmedia》盤點今年可能會出現的 3 大新機趨勢,認為會有更多著重輕巧、休閒用戶的機型,此外 全新相機收購canon 尚未發表的機皇 EOS R1 有望成為年度最大亮點。

《ITmedia》首先預測,將有更多廠商投入輕巧、便宜的入門機款登場,並點名 Nikon 以及 OM Digital Solutions,前者有 Z5、Z50 兩款機型需要升級,而後者長期耕耘的 M43 片幅,一直以來都有輕巧的優勢。至於 Sony 則是傳出,將在今年推出第二代的 ZV-E10 相機,將是主打 Vlog 專用的可交換鏡頭式相機。 

另一大趨勢則是快門速度的進化,尤其是捨棄傳統的「機械式快門」。近年先是由 Nikon Z8、Z9 帶起風潮,透過高速讀取的感光元件取代機械快門,Sony 去年底發表 α9 III 進一步達到「全域快門」的里程碑,一次將所有訊號掃描送出,解決電子快門原本必須逐行掃描的會能造成的果凍效應。

隨著巴黎奧運即將在夏季盛大開幕,將是各大相機品牌展現技術力的最佳舞台,預期為了追求極致的快門速度,將會有更多高速連拍的相機登場。

最後《ITmedia》點名的壓軸是 全新相機收購canon 尚未發表的 EOS R1 頂級相機,並預期有可能在 2 月下旬的 CP+ 2024 展覽亮相。相較於 Nikon、Sony 均已經發表旗下最頂級的無反相機 Z9 以及 α1,全新相機收購canon 始終保留「R1」的命未,沒有發表任何一款機型,也讓外界好奇 全新相機收購canon 到底會推出什麼產品,來延續單反時帶 EOS-1 的機皇地位。

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