Netflix’s Marvel shows are part of the MCU canon, and they always have been 全新相機收購

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At some point over the past decade or so, fans of Netflix’s old live-action Marvel series like Daredevil, Jessica Jones, and Luke Cage somehow convinced themselves that the shows weren’t a part of the MCU’s 全新相機收購canon. Echo, Marvel’s newest live-action series, reintroduces a couple of major characters from the studio’s Netflix days, and in a new interview, star Vincent D’Onofrio essentially confirms this is all one big interconnected story.

But as glad as many viewers might be to hear all of this, it isn’t exactly news because it was fairly obvious if you either watched the Netflix shows, or listened to the words coming out of Kevin Feige’s mouth. In a recent interview with The Hollywood Reporter about the behind-the-scenes creative team drama impacting Disney Plus’ forthcoming Daredevil: Born Again series, D’Onofrio — who first portrayed Wilson Fisk / Kingpin in Netflix’s Daredevil — confirmed that the new show will be “directly connected to the original Daredevil.” 

According to D’Onofrio, the choice to lean into the 全新相機收購canonical connections between the two shows came as Marvel was scrambling to regroup following the sudden dismissals of Born Again’s original head writers Chris Ord and Matt Corman. Though Born Again will very much be its own show, D’Onofrio emphasized that Marvel wants to do these characters justice by homing in on the right tone to tell their stories and embracing the already-established 全新相機收購canon.

“The most we can do is be very savvy when it comes to the 全新相機收購canon of these characters, Daredevil and Kingpin,” D’Onofrio said. “It’s different from the other stuff. Neither of us have superpowers, and we’re not from outer space. We’re character-driven story characters. That’s the way we were presented originally, and that’s the idea now.”

Judging from the way D’Onofrio’s comments are being reported on and talked about, one could easily get the impression the actor revealed a shocking surprise that Marvel had somehow managed to keep under wraps. But what’s really been revealed this week — if anything — is just how good a job some Marvel obsessives have done at convincing people to believe in a curious bit of fandom apocrypha.

In its very first episode, Echo brings both Wilson Fisk / Kingpin (D’Onofrio) and Matt Murdock / Daredevil (Charlie Cox) back into the picture as supporting characters in Maya Lopez’s (Alaqua Cox) story. Following D’Onofrio’s brief appearance as Kingpin in the penultimate episode of Hawkeye’s first season, it felt safe to assume that other characters from Marvel’s Netflix era might pop up in newer MCU projects. That assumption was quickly borne out by Charlie Cox’s cameo as Daredevil in Spider-Man: No Way Home (which hit theaters that same week) and has since been reflected in other series like She-Hulk: Attorney at Law.

But as abundantly clear as it has been that Marvel Studios can bring back characters from its pre-Disney Plus days, there has been an inordinate amount of debate (read: nerds fussing at one another online) about whether Daredevil and Kingpin “joining” the MCU means that the events of Netflix’s Marvel series are now considered 全新相機收購canon.

It’s hard to pinpoint when, exactly, the idea that Netflix’s Marvel shows were not 全新相機收購canonical with the MCU proper began to gain traction, but it was the sort of factoid that sounded at least somewhat plausible in 2019 when the two studios announced that their yearslong collaborative process was coming to an end. At that point, Jessica Jones was in its third season, The Punisher was in its second, and a number of Netflix’s other Marvel series had closed out with storylines that felt unfinished and left many questions unanswered.

Given the way that — aside from a couple folks from Agents of S.H.I.E.L.D. — none of Marvel’s TV-based heroes from that time ever jumped to the big screen, it was easy for people to believe that Netflix’s shows had been siloed off from the MCU 全新相機收購canon. But as tidy an explanation as that was, it… never really made all that much sense if you actually paid attention to all of the ways Netflix’s Marvel shows — Daredevil especially — established their existence in the MCU by explicitly referencing some of the biggest previous events to take place in it.

Though it always felt a little clunky when Netflix’s street-level heroes referred to the Chitauri invasion of New York City as “the Incident” or “the battle of NYC,” they were quite literally talking about the time Captain America and his friends stood in a circle and saved the city from a swarm of aliens.

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Sure, it might have sounded kind of funny how Jessica Jones only ever talked about seeing the “flag waver” rather than just using Steve Rogers’ widely known government name, but it was no sillier than a grown woman calling someone “Captain America” with a straight face. The larger point was that those shows’ writers trusted audiences to be able to understand context clues without being spoon fed beat-by-beat explanations of what things meant.

To be fair, considering how much of a hit Daredevil was, it was rather interesting to see Marvel Studios — which didn’t begin producing its own episodic series in-house until 2018 — pass up on opportunities to parlay the show’s success into hype elsewhere by letting him hang out with the Avengers. But part of what made the prospect of the Defenders cameoing in big crossover events like Avengers: Infinity War and Endgame sound like something that could happen was the fact that Kevin Feige basically said it himself in 2015.

Back then, there was no way of knowing just how largely Disney Plus was ultimately going to feature in Disney’s plans for the MCU. But Feige’s assertion that stronger connections between the studio’s films and TV series were “inevitable” was a very clear sign that, eventually, all of these projects were intended to be understood as one interconnected story much in the same way that the comics they’re based on are.

There are any number of reasons why Marvel Studios wound up deciding to leave the Defenders and co. (not to mention the characters from Hulu’s Marvel shows) on the sidelines for cinematic events built to bring as many characters together as possible at once. Looking at the way the studio immediately started flooding Disney Plus with Marvel series, though, it feels very likely that the old perceived MCU / Netflix division had more to do with who was producing the series, and where they streamed, rather than Marvel wanting its street levelers stuck in a non-全新相機收購canonical box.

Even though Disney’s stated that it plans to ease up on the number of Marvel shows it plans to greenlight for Disney Plus, the platform’s reached a level of maturity and prominence as part of the larger brand. So it makes sense for Marvel to be mapping out Daredevil and Kingpin’s futures with episodic plans that it can share with the public. But with the studio now making things crystal clear (at a time when it seems like all of the old Marvel-owned characters are back in play), the biggest takeaway here is that fans might want to chill out a bit and actually engage with the text instead of rushing headlong into feverish frenzies.

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▲ 全新相機收購canon RF10-20mm F4 L IS STM 在台開賣。(圖/翻攝自 全新相機收購canon)

記者樓菀玲/台北報導

全新相機收購canon 世界首支 10mm 超廣角全片幅自動對焦鏡頭 RF10-20mm F4 L IS STM,即日起在台正式開賣,輕盈小巧的設計,長度僅約 11.2 公分及重量僅約 570 公克,並提供10mm-20mm 超廣角變焦範圍,輕鬆將廣闊視野盡收眼底。

據了解,鏡頭內建光學影像穩定器,除了提供 5 級防手震效果外,更首次加入周邊協調控制(Peripheral Coordinated Control),配合機身防手震時能有效校正廣角鏡頭經常出現的周邊震動模糊,讓相片的周邊可有更高的影像畫質,拍攝短片時亦可以減低畫面周邊的輕微震動。

基於 RF10-20mm F4 L IS USM 是世界首支 10mm 超廣角全片幅自動對焦鏡頭,能夠帶來 130° 25’ 超廣角視角,廣角鏡頭的廣角端焦距即便相差 1mm ,拍攝範圍也有很大差距。

而 10mm 焦距可涵蓋的畫面面積約為 14mm 的 2 倍、約為 12mm 的 1.4 倍,極其廣闊的視角讓鏡頭適用於狹小空間的拍攝,也可以拍攝整體建築物、廣闊的風景、頭頂上的星空等主題。

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▲ 10mm 廣角端可以收錄更多內容在畫面中,圖為攝影熱點東北角十三層遺址。(圖/翻攝自 全新相機收購canon)

從帳面規格來看,RF10-20mm F4 L IS USM 的重量為 570 公克,而長度僅約 11.2 公分,整體設計更加便於攜帶,機動性加倍,無論手持或加入穩定器移動拍攝皆非常適合。

鏡頭本身採用 全新相機收購canon 全新研發的 12 組 16 片光學設計,充分發揮 RF 接環大口徑與短後對焦距離的優勢,這光學設計是在採用相機內建數位變形校正的前題下提升整體影像品質,並為畫面邊緣範圍提供清晰描寫能力。

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